It’s in the air, on their faces, and filling every nook and cranny of the entire theater. It’s magic, the vital element that brings Alameda High School’s production of Rodgers and Hammerstein’s Cinderella to life.
This story usually brings to mind glass slippers and pumpkin carriages, but AHS’s show contains messages beyond the typical fairy tale. In their production of Cinderella, the words that will stick with you are, “it’s possible” and “kindness.” These are the themes that are wrapped in magic and transformation, hidden in layers of tulle, satin, and ruffles, and revealed in the smiles and joy of the cast. One of the best parts of this version of the story is that Cinderella is not rescued to a better life; instead she is the one who helps the Prince become the best version of himself.
Simultaneously, the production gives a little warning of the dangers of leaders not listening to the people, and how important it is to know and care how the government’s actions affect not only us and our families, but the entire community. Not only have these high school students been developing as triple threats in acting, dancing, and singing, but they have been learning and sharing vital civics lessons as well.
The cast of Cinderella poured their hearts and souls into this show. Junior Ellia Blank, as Cinderella, is so much more than a Disney character. She gives the role depth and nuance, making her acts of kindness genuine rather than mere gestures. She sings with such ease that you may not notice how vocally demanding the role really is.
Aris Petersen as Prince Topher meets Cinderella with such open-faced authenticity and sly bits of humor that you are rooting for him from the very start. The evil trio of Madame, Gabrielle, and Charlotte—played by Sydney Mersch, Kasia Kim, and Bailey Buckingham—work together marvelously as a unit, yet manage to give each of their characters definition and individuality. Buckingham’s rendition of “Stepsister’s Lament” is a highlight of the show, both for its comedic value and its delivery. Mersch’s stepmother is cunning and manipulative, but leans into the comedy with such flair that, like Cinderella, you are willing to forgive her for everything. Kim’s Gabrielle is the nonconforming stepsister, and her breezy smile and playful banter reels you in.
Turner Smith as Jean-Michel and Gareth Hooper as Sebastian are perfect foils for each other. Hooper gives great side-eye and delivers his slick machinations with a perfect pout. Smith imbues Jean-Michel with heart and goodness and just the right touch of goofball. Harper Taylor as Marie, aka Fairy Godmother, is all sparkles and babbling bits of wisdom along with some heavenly vocals. And a quick shout out to two ensemble members who kept pulling my eye to them with their faces full of energy—Ella Edgelow and Abid Magsambol.
The entire cast is excellent but without a doubt there is one person worthy of mention for elevating their character to so much more than what is written in the script—Amelia Forder as Lord Pinkleton. From every arched eyebrow to slapstick scurries to winsome wobbles, Forder makes Pinkleton the character you just can’t get enough of.
In addition to the cast, the artistic team and crew deserve a huge round of applause. I cannot convey strongly enough what an ambitious show this is to produce. With so many scene changes, difficult set pieces, and so many props and costumes, plus animals and dresses that have to be transformed, it makes me tired just thinking of their to-do lists.
AHS Drama Director Anneka Fagundes does an amazing job of including the essential, letting students take ownership and lead in the creation, and weaves it all into the beautiful story. The choreography of Rachel McCray Denton is outstanding. Partner work is often new, even to experienced dancers, and the ballroom scenes are executed with grace and confidence. Vocal direction by Anna Joham produces not only beautiful solos, but also gorgeous harmonies throughout the show. Fagundes’ direction keeps the show moving at a nice pace and allows room for the actors to milk jokes and be playful.
Just like the Fairy Godmother warns, the magic only lasts for a little while. And the magic of Cinderella at AHS ends on April 5, so get your tickets while you still can.
See Cinderella at the Frederick L. Chacon Little Theater, Alameda High School, 2200 Central Avenue, April 3, 4, and 5 at 7 p.m. Purchase tickets online at GoFan; general admission $15, student/seniors/cast family members $10, AUSD students $8, AUSD staff free. For more information and to see photos, visit the AHS Drama Instagram page.
Kelly Rogers Flynt contributes reviews of theatrical productions to the Alameda Post. Reach her via [email protected].
